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Exhibitions

Continuum: Dawson Professional Photography Fifth Semester Exhibition

December 5th - 13th, 2024
Manekha Gadiano-Dimaano, 2024

Featuring the work of  Lucas Berry, Joshua Bubis, Zikai Chen, Dean Daltirus, Ashley Dumas, Renaud Duplessis, Jhosua Farid Pinzon Euan, Manekha Gadiano-Dimaano, Carol Hallak, Zhichao Huang, Xenia Jeffery-Off, Jasmeen Kaur, Dua Khan, Zachary LeMenn, Adèle L’Heureux-Hubert, Jordan Markle, Benjamin McAuley, Zachary Mercier, Cody Neglia, Michael Picardo, Hugo Santamaria and Trevon Shand.

Dawson College’s Department of Professional Photography presents Continuum, an exhibition featuring the work of students approaching the end of their three-year program. 


Vernissage: Thursday, December 5th, 2024 at 5:00pm


Biennial 16

February 6th - March 13th, 2025
David Baumflek, Poor Relations, ceramic, 2002

Since its first inception in1992, the Faculty of Fine Arts Biennial has showcased the varied practices of teachers from the Department of Fine Arts, offering students and the community the opportunity to glimpse their work outside of the classroom.

Their contributions to this exhibition span a variety of media—painting, sculpture, photography, mixed media, and the written word, among others—illustrating a profound engagement with both traditional practices and new technologies.   At the core of the many explorations that this exhibition offers are complexities surrounding the environment (both natural and built);


Vernissage: Thursday, February 6th, 2025 at 5:00pm
Artist Talk: T.b.a.


GL.TCH

April 6th - 20th, 2017
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Montreal, March 28th, 2017 ­ Dawson College’s Warren G. Flowers Gallery and S.P.A.C.E. (Sciences Participating with Arts and Culture in Education) are pleased to present the annual S.P.A.C.E. Exhibition showcasing multi- and interdisciplinary works by students, faculty, staff, alumni, and others from the larger Dawson Community around this year’s theme, GL.TCH. The GL.TCH

Exhibition opens with a vernissage on Thursday, April 6th from 5:30pm to 7:30pm and is on view until April 20th, 2017.




Daniel Oxley – Dark Wood

August 17th - September 9th, 2016
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Excerpt from catalogue, by Cameron Skene

“If you’re going through hell, keep going” – Winston Churchill

[…]

The state of spiritual suspension is reinforced by Oxley’s recent work: vessels hung from the top of the picture plane, combined with a surface reassembled from disparate painterly strategies, marks, textures and forms. Caves and outcroppings, for instance, become a formal device as well as supporting metaphors for this place of pause.




Fine Arts Faculty Biennial 12

March 24th - April 14th, 2016

25 years in the making, Dawson College’s Fine Arts Biennial more prominent than ever

The Fine Arts Faculty Biennial 12 runs March 24 to April 14 2016

Montreal, March 22 2016 – Dawson College’s Warren G. Flowers Gallery is pleased to host the Fine Arts Faculty Biennial 12, opening March 24 and on view until April 14 2016. The exhibition displays a uniquely broad range of contemporary practices and themes, from 22 leaders of Montreal’s art and academic circles.




Cleave, a path in the wilderness by Penelope Stewart

February 18th - March 12th, 2016
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Responsiveness to space and an engagement with its architecture, history and ideologies is central to my practice. Recently, these interventions have explored the beehive metaphor in architecture, with connections between the symbolic, political and artistic spin-offs of the beehive. An eco-morphology contemplates the hive, hive culture, desire and loss as metaphor for our utopian aspirations to return to the garden.

Penelope Stewart

 Curated by Natalie Olanick

 

Penelope Stewart’s website




Correspondences: Yechel Gagnon and Alexandre Masino

January 7th - February 6th, 2016
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Correspondences, by Yechel Gagnon and Alexandre Masino, confronts us with the twofold challenge of seeing both distances and proximities between the works of each artist. While skeptics may be surprised at this particular pairing of artists, they will likely be even more surprised, as well as confounded, by the experience that awaits them: they will be gently struck by the wealth and depth of the dialogues that take shape between two bodies of work that, on the surface, have so little in common. 




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