Other Landscapes presents several multimedia works from Montreal-based Iranian artist Anahita Norouzi. It stems from her long-term research interest in the cross sections of botany and colonial politics, experiences of immigration and displacement, as well as issues of identity and memory.

Taking the form of a multimedia installation, the project results from a collaboration between the artist and eight refugees from the Middle East and Africa. Norouzi writes: ‘As a way to get closer to their stories, I focused on the objects that they brought with them on their journey.

Counterpart stems from an assignment Photography faculty members Peter Berra and David Hopkins introduced in their 2019 Photo Studio 2 class: photograph another student who is a stranger. Afterwards, Berra compiled these images into a portrait of both individual and collective identity, in all its beauty, poignancy, and complexity.

The act of looking at oneself reflected on a screen, or through a lens, is inherent to the production of portraiture.  As many of us spend our days staring at ourselves on screens in endless Zoom meetings over endless hours, how we appear, how long we gaze and measure our own image(s) is occurring at an almost unprecedented, and probably unhealthy scale.

In this 20 minute compilation, David Baumflek has thoughtfully selected work by six second-year Visual Arts students:  Marina Diolaiti, Ariane Labbé, Camille Mota, Linda Dao, Jennifer Orr, and Sabrina Perrotti. 

In culmination of two years of extraordinary perseverance and dedication, thirty three Visual Arts students present their work in the gallery and the exterior vitrines.

Opening Events Friday, May 28th:

5 pm: Zoom Awards Ceremony: https://dawsoncollege.zoom.us/j/92470440611

5:30 pm:  Digital exhibition vernissage: https://www.dawsoncollege.qc.ca/vernissage/

ABOUT THE ARTIST

Nadège Grebmeier Forget’s distinguished interdisciplinary practice unfolds via durational, live, live-streamed, and private performances at times resulting in drawings, photographs or installations. In these performances, she models and hybridizes herself to defuse expectations of beauty and explore the effects (and affects) of the concerned gaze on an unfolding identity as it is observed and analyzed by herself and others. Seeking to confront desires and ideals (aesthetic, commercial, sexual, etc.) through an empowered and performative manipulation of her own image, she intrinsically questions the labour of making and becoming;

Thirza Cuthand: Reclamations brings together a selection of work by this acclaimed artist, writer, and performer spanning over two decades and exploring with brutal honesty the humour and pathos in her life as a ‘bipolar butch lesbian of Plains Cree and Scottish descent.’   Since her first film about life as a lesbian in her Saskatoon high school drew international success, her short, low-budget, experimental videos explore autobiography and identity, the effects of racism and colonization, sexism, ageism, and issues surrounding mental health.

The works in this exhibition, The Weight of Delirium, were selected from two different bodies of my art of the last decade:  Delirious at the Borderlines (2012-13), a series consisting of both drawings and digital prints, and The Weight (2016-17), a collection of more than fifty iterative mixed-media drawings.

It seems appropriate to combine the two for this exhibition because both collections of work rely on metaphor and allegory to portray crisis.  

The Warren G. Flowers Art Gallery is pleased to host the Fine Arts Faculty Biennial 14, opening January 23 and on view until February 19, 2020. The exhibition displays a uniquely broad range of contemporary practices and themes, from nineteen leaders of Montreal’s art and academic communities.

In 1992, Andres Manniste initiated the first Fine Arts Faculty Biennial exhibition at Dawson College. A highly respected senior member of the faculty, Manniste was motivated by the desire to share the rich and varied visual arts practices of the fine arts department with the Dawson community.

Graduating students of the AEC Commercial Photography Program will be revealing their portfolio images for public view on December 17th in the Warren G. Flowers Gallery. The vernissage begins at 6:30 pm. Everyone is invited to meet, greet, marvel and celebrate. Graduates include Laith Al-Omaishi,Fabiane Amorim, Julia Brailovski, Alan Busch, Jonathan Chang, Julien Frechet, Seyedamir Ghazimirsaeid, Yuefeng Jiang, Ava Kiaie, Tim Laur, Gwendal Lemarchand, Maryam Lolo, Willfrance Louisaint, Ann McCarthy, Ludwing Montoya, Roshayne Morrison, Zaafir Pondor, Yana Povelytsya, Ao Shi, Kaven Tremblay, and Carolina Perez Zapata.

Eighteen Dawson Professional Photography students present the best of their final-year works. With: Victor Ahn-Royer, Andriana Alevizos, Megan Antonucci, Jamie Baibos, Laurie Coronel, Xavier De Belle, Cedric De Ocampo, Janelle Fermin, Angela Harvey, Kayla Lacasse, Martin Loh, Dalia Nardolillo, Argyro Quatredeniers, Kaitlynn Rodney, Vu Mylène Tat, Brandon Tran, Natasha Villeneuve, and Erika Violo.